GO HOME
Visit European Gallery



       Prev  12  13  14  15  16  17  18  19  20  21   Next
 
 
Prev Artist       Next Artist     

Sandro Botticelli Adoation of the Magi (mk36) oil painting


Adoation of the Magi (mk36)
Painting ID::  24990
Sandro Botticelli
Adoation of the Magi (mk36)
1475-1476 Standing on left Florence,Galleria degli Uffizi

   
   
     

Sandro Botticelli Giorgio Vasari,Portrait of Lorenzo the Magnificent (mk36) oil painting


Giorgio Vasari,Portrait of Lorenzo the Magnificent (mk36)
Painting ID::  24991
Sandro Botticelli
Giorgio Vasari,Portrait of Lorenzo the Magnificent (mk36)
1534 Florence,Galleria degli Uffizi

   
   
     

Sandro Botticelli Portrait of Giuliano de'Medici (mk36) oil painting


Portrait of Giuliano de'Medici (mk36)
Painting ID::  24992
Sandro Botticelli
Portrait of Giuliano de'Medici (mk36)
c.1478 Washington,National Gallery of Art

   
   
     

Sandro Botticelli Mago wearing a red mantle (mk36) oil painting


Mago wearing a red mantle (mk36)
Painting ID::  24993
Sandro Botticelli
Mago wearing a red mantle (mk36)
Older kneeling Mago personage wearing a green mantle,

   
   
     

Sandro Botticelli Young kneeling Mago (mk36) oil painting


Young kneeling Mago (mk36)
Painting ID::  24994
Sandro Botticelli
Young kneeling Mago (mk36)
man in a short black tunic,Stanking on the right

   
   
     

       Prev  12  13  14  15  16  17  18  19  20  21   Next
Prev Artist       Next Artist     

     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

     Related Artists::.
     | Elisabeth LouiseVigee Lebrun | DOMENICO DA TOLMEZZO | Charles Hawthorne |


IntoFineArt Co,.Ltd.